Where's The Revolution? 2017 Music Discoveries!

As we close out yet another year, one of my favorite things to do is look back, in particular on what was going on musically. You get a good idea of the year's soundtrack (and in essence your own personal soundtrack) based on what came out that year, and which of your favorite artists have pushed new boundaries with their music. For me, hearing new, exciting things inspires, and forces me to push my own creative boundaries.

So, some of these are new discoveries. Most are new music from musicians and bands I've known and loved for years. I missed out on a few key releases here. It seems like post-September, we got bombarded with a ton of great new stuff, so it got hard to keep up! I missed the new albums from U2, The Killers, Bjork, The XX, Lorde, Quicksand, and so on. But I did enjoy the following.

ST VINCENT: Masseduction

This is probably my favorite album of the year. I honestly didn't discover St. Vincent until she was 4 albums deep (5 if you include her collaboration with David Bryne), but once I saw her perform Lithium with the remaining members of Nirvana for the Rock n' Roll Hall Of Fame, I did a deep dive into her discography and fell instantly in love. I've been anticipating new music, just like the rest of the world, since then. "Masseduction" didn't disappoint. It's a natural progression for her as an artist, and the perfect amalgamation of everything she's done before, except there's a new underlining confident sexiness to the songs. I compare it to what both Prince or David Bowie were able to exude in all of their music, and St Vincent is the heir apparent. Just listen to when her voice goes up for the chorus of the title track when she sings, "I can't turn off what turns me on."



The whole album is solid, but another standout is the first single "Los Ageless." If you haven't gotten into St. Vincent yet, you should! And you can easily start with this album and work your way backwards.



A PERFECT CIRCLE: The Doomed (Single)

It seems every few months, every music related publication posts some sort of "TOOL album coming soon" obligatory post. And that's fine, and I'd be excited to hear more TOOL music, but what about Maynard's other band A Perfect Circle? I know they did a recent tour, but I assumed they weren't officially a "band" anymore. So, when they abruptly dropped the new single "The Doomed," it was a complete pleasant surprise! The downside? It's only one track with no signs of it coming from a more elaborate full length. Will there be an album? Or was this just a one off? The upside? Because it's only one song, I listened to it on repeat several times in a row and really fell in love with it by the third or forth listen, primarily because the song structure is vastly different from your tradition "pop" or "rock" song, and it clicked with me on subsequent listens. Here's hoping 2018 gives us more from A Perfect Circle!



Trent Reznor & Atticus Ross: HALLOWEEN

When I heard news of this on the week of Friday, October 13th, I was convinced it was a practical joke. But alas, it was not! The mighty Trent Reznor and Atticus Ross of Nine Inch Nails reinterpreted John Carpenter's infamous theme for HALLOWEEN. The result is the below 7 plus minute mood piece that weaves in and out of what you know while sprinkling in that NIN touch. Can you imagine? Nine Inch Nails covering John Carpenter's HALLOWEEN theme? That happened in 2017. Michael Myers would be proud!



L7: Dispatch From Mar-A-Lago

Another one off single that I hope leads to more, L7 returned to the stage in these last few years picking up where they left off in the late 90's. On top of that, we also got the excellent documentary L7: PRETEND WE'RE DEAD. And surprisingly, in honor of Trump, they dropped this new song "Dispatch From Mar-A-Lago." It's like they didn't miss a beat, and it's just as rockin' and fun as any of their earlier albums. Fingers crossed we'll hear more from the gals in L7 in 2018. They deserve all the accolades in the world for rocking harder than almost every other band out there.



JEREMY ENIGK: Ghosts

Sunny Day Real Estate has been, and remains, one of my all time favorite bands. And so, I'm always curious and excited when frontman Jeremy Enigk promises new music. This actually started as a Pledge Music campaign a few years back and took all that time to push it to the finish line. The result is this lush, mellow, and beautiful batch of new songs as only Jeremy could sing and play. This came out simultaneously with a "Rarities" compilation, and if I may be candid, that collection is the album I gravitated towards more, for personal reasons. It was great to finally hear a proper demo of the track "Asleep Under Last Weeks News," which Jeremy used to play way back on his first solo tour. Early demos of "Carnival" and "Abigail Anne" are also a treat. I almost look at Ghosts and Rarities as a double album representing past and present. Both are worth picking up!



FOO FIGHTERS: Concrete & Gold

Sonic Highways, both the show and the album were released back in 2014, so it shouldn't come as a surprise that there was a new Foo Fighters record this year, but it was surprising! I didn't learn about it until a friend texted me a week or two after it was released, and so it was fun to jump on iTunes and instantly download an album I had no idea existed. At this point, the Foo Fighters tend to get a lot of shit from music "purists" (snobs), but I'll always have respect for Dave Grohl, just for the sheer body of work he consistently puts out into the world. With the Foos, you kind of know what you're going to get, and this album is a pretty solid rock record. If anything, their love of Led Zepplin (and Queen) is at its peak here, and they're channeling the rock gods across all 11 tracks. Not one of their best, but there's some great trademark Foo Fighter riffs and melodies all over this thing.



QUEENS OF THE STONE AGE: Villains

OK, so the Foo's channeled some Led Zepplin for their latest, and then the Queens Of The Stone Age came along and doubled down on that with their new album Villains, which rocks even harder! My fave track is the opener "Feet Don't Fail Me Now," but be patient, the song doesn't kick in until the 1:48 mark and when it does, the album doesn't let up! In terms of pure rock, this is one of the best of the year and just grooves and rumbles from start to finish. It's only 9 tracks and clocks in at about 48 minutes, but it packs a punch.



NINE INCH NAILS: Add Violence

Last year, Nine Inch Nails promised new music before 2016 was over, and they delivered right at the tail end of December with an EP titled "Not The Actual Events." It was intended to be the first of three EP's. And while I do like it, I'll admit to being a bit underwhelmed by those 5 tracks, and thought maybe they rushed them out to fulfill that "new music" promise. But then the second EP "Add Violence" dropped mid-summer, and the grander picture started to emerge. "Add Violence" was a bit more straight forward, traditional NIN, kicking off with the single/opening track "Less Than." But I decided to create a playlist that combined both EP's chronologically, and went back to their previous album "Hesitation Marks." (Which is better than you remember.) When you listen to the first 2 EP's together as an album, it feels and sounds like the logical next progression to "Hesitation Marks." Now I can't wait for the third EP, so we can hear the whole thing come together!



ROYAL BLOOD: How Did We Get So Dark?

Royal Blood's debut was one of my favorite discoveries of 2015. I doubt a rock song of the last decade is going to top the sheer furiosity and power of "Out Of The Black." And the rest of their self titled debut kicked just as much ass. So, with their follow up "How Did We Get So Dark?" they maintain their stature as the most epic sounding two-piece band of ever, without stepping too far outside the sound they established. I don't think this album is as strong as the first one, it's probably equally as good and delivers the same type of rock. It's just 10 solid tracks and a respectable sophomore, but I'm looking forward to what their 3rd record will sound like and if they'll deviate from the rock sound they've already perfected. Regardless, it's still great and how many bands deliver an equally great second album?



LIFE OF AGONY: A Place Where There’s No Pain

Another pleasant surprise I discovered while skimming through records at a local shop, I knew that Life Of Agony had reunited for a handful of shows across the country, now fronted by Mina Caputo (formally Keith), but I didn't realize they'd also recorded and released an album with 10 brand new tracks! Their 1993 debut "River Runs Red" is the quintessential East Coast hardcore album. And while I've loved all their albums in between, those records sound like an amalgamation of all the individual band mates influences and tastes as opposed to tapping into what made that first album so special. "A Place Where There's No Pain" sounds like the spiritual, appropriate follow up to "River Runs Red." With Mina embracing her life as a transgender person, there's even more passion behind the lyrics and vocals than ever before. And riff-wise, the album just rocks so hard.



JIMMY URINE: The Secret Cinematic Sounds Of Jimmy Urine

This is a fun and totally wacky album. Jimmy Urine, the frontman of Mindless Self Indulgence and The Left Rights, released this "solo" album "The Secret Cinematic Sounds of Jimmy Urine" which is exactly as the title implies. The opening track "Fighting With A Melody" is a trademark Jimmy Urine song with vocals, while the rest of the album is comprised of instrumental tracks to a non-existent movie. Lots of fun themes that make me long for a corresponding movie to go along with them! Worth a listen if you're looking for something a bit off-kilter and unique. Check out my personal fave track "I Want To Be Human" below!



BODY COUNT: Bloodlust

Yes. Just fuck yes. In these turbulent times, there's no one better to rage against the machine than the band that original shouted "Cop Killer" back in 1992. Ice T and crew are back with one of the fiercest metal albums of the year, "Bloodlust." "No Lives Matter" and "Black Hoodie" are the stand outs, but there's plenty to love across the 11 tracks here, including a guest appearance by Megadeth's Dave Mustaine on the opening track "Civil War" and a killer cover of Slayer's "Raining Blood." This is the epitome of the type of music we need in this post-Trump era America. "No Lives Matter" should be our freakin' anthem right now.





THE FLASH (Grant Gustin): Running Home To You

Shut up! I'm not crying! You're crying! Ah yes. I love the DC TV shows on the CW, the stand out for me being THE FLASH, and this year, they did an all musical episode showcasing Barry Allen/The Flash actor Grant Gustin's post-GLEE vocal abilities with a guest appearance by fellow GLEE alumna Melissa Benoist, SUPERGIRL herself! An EP was released on iTunes to coincide with the episode, which I bought immediately after watching it. Sure, there's something fun about The Flash and Supergirl singing a duet on an album together, but the track that pulled at my heart strings was "Running Home To You," a ballad that Barry sings to his fiance Iris West (Candice Patton) in the closing moments of that episode. Gets me every time! Damn this kid for being so ridiculous talents and for having that voice too!



DEPECHE MODE: Spirit

We got a new Depeche Mode album this year! And yet again, it came a mere few months after Trump's inauguration, and although the album was probably in the works for a while, it's hard not to see the correlation between modern politics and their first single "Where's The Revolution?" Perhaps the song was a direct result of the election and written at the tail end of recording? "Poorman" is another track that seems awfully timely. Regardless of its inspiration, the entire album has a sense of urgency and energy that comes only with the best of Depeche Mode's discs, and "Spirit" is one of their best efforts in years.



THE FUTURE IS POINTLESS: EP

Last but not least is this obscure EP from a mysterious band called THE FUTURE IS POINTLESS. My friend Will Rot directed a video clip for the band, otherwise I might have completely missed out on this rockin', blistering debut.



The above is only the tip of the iceberg. The rest of the EP is just as fierce and reminiscent of the early 2000's "nu metal," done with much more finesse, and much better than any band of that misogynist era. It's strange, mysterious, and just really, really great.



So there you have it! A lot of tunes rocked my world in 2017. Here's hoping I turned a few of you onto something new!

Now Spinning: The Best Vinyl Soundtrack Releases of 2017!

Well, another year has come and gone, and with 2017 winding down, we're each collectively looking back at our favorite things of the year. You know, the things that have enriched and enhanced our lives over the course of the last 12 months? Movies, music, events, experiences, games! I'll have blogs for some of those other things later this month, but for now, I'm going to focus solely on horror soundtrack vinyl releases!

As I've mentioned before, most recently on the "things we're thankful for" episode of the Shock Waves podcast, I couldn't be more thrilled by the horror soundtrack revival of the last few years. I've always loved and appreciated movie music, and now it's taken on this new life with these really elaborate vinyl releases, aimed at hardcore genre fans, such as myself.

Of course, it's all about the music, but I love that much like with the Blu-Ray collector's market, these labels have gone the extra mile to really deliver a physical product that encapsulates the essence of what we love about each individual title. There were so many great releases this year, both new and old, but let's look at a handful of the best "horror" ones, shall we?

A NIGHTMARE ON ELM STREET: BOX OF SOULS (Mondo/Death Waltz)

A few years back, Varese Sarabande released a great CD box set that collected expanded editions of all of the NIGHTMARE ON ELM STREET scores into one package, complete with a collectible booklet and exclusive poster, wrapped up in a miniature version of Freddy's infamous red and green sweater. The NIGHTMARE franchise has a lot of history, and one of the most fascinating aspects of it is just how many well respected and noteworthy composers were brought on to craft the musical landscape of Freddy Krueger's world(s), most of them very early in their careers. And so, I always held out hope for a vinyl release of any of these scores, especially considering how difficult it is to track down original pressings. Finally, Death Waltz and Mondo have answered our prayers.

Granted, some fans balked at the $250 dollar price tag, but when you really do the math, that's about $35 a record for 7 LP's (8 if you count NEW NIGHTMARE as a 2-disc set), which is the average price for these special edition style releases individually. Dubbed the "Box Of Souls," this version came in a box with a booklet and all new original artwork for each film. And you know what? It's worth every penny. This is hands down the best vinyl release of the year. Gorgeous new cover artwork, great packaging and liner notes, and most importantly, each record sounds incredible. From Charles Bernstein's original themes, to Christopher Youngs' work on the sequel, or Craig Safan on 4, or even Brian May's work on FREDDY'S DEAD, it's all here.

Even better? Just like the CD box set, it includes all the extended, alternate, or deleted cues, in particular, the extra stuff for DREAM WARRIORS which is among my favorite stuff of the entire franchise. If you're looking for a Christmas gift? I'd hint to your loved ones this set. Or if you know a die-hard Freddy/soundtrack fan? You'd be a hero to get them this.

THE THING: Deluxe Edition, music by Ennio Morricone (Waxwork Records)

This was definitely the year of the stellar box set! And among one of my personal favorites was Waxwork Records new deluxe edition of Ennio Morricone's classic score for John Carpenter's THE THING. An original issue copy of this release has eluded me for years, and so I was excited when Waxwork announced it on their slate. But then came details of the "deluxe" version which retailed for about $70 bucks. Should I go for it? Or wait until I stumbled upon an original issue which sells for roughly the same price? I went for it. And the moment it was in my hand, I didn't regret this purchase one bit. The outer sleeve cracks open and harbors the actual record inside. There's an interview with Carpenter in the notes, and the record itself sounds and looks as wonderful, as it is dreary. In particular, one touch I loved is how the center of the LP is a drop of blood intended to evoke the infamous "blood test" scene. It's details like this that prove these are releases by fans, for fans.

BATES MOTEL, music by Chris Bacon (iam8bit)

Here's one that completely took me by surprise! I already liked the music from composer Chris Bacon for THE BATES MOTEL series. After all, I'm considered something of a PSYCHO expert, and was a devoted viewer of the A&E series. Some digital versions of the show's music have existed before, but then iam8bit pulled out all the stops for their vinyl release! When this thing showed up at my door, I felt like a kid playing with an incredibly elaborate and delicate toy! The centerfold is a "pop-up" with the Psycho house, and let me tell you... on several occasions, I opened this thing too wide and was unable to close it! The letter from the composer comes on Bates Motel stationary. And the sleeves (which are too big to actually put the LP's in) are beautiful portraits of Norman and Mother facing each other. The records themselves are white with blood red swirls, re-enacting the shower scene whenever you spin 'em. This sold out pretty quickly, but I'm thankful to have snagged one of the first ones hot off the presses!

HELLRAISER, music by Christopher Young (Lakeshore Records Release)

Christopher Young's score for HELLRAISER is legendary, as is the suffering the cenobites, led by Pinhead, promise in Clive Barker's masterpiece movie. And this year, it got multiple releases on vinyl. Mondo had done a pretty beautiful looking version with original art by Matt Ryan Robin, as well as a 7 inch box set version meant to mimic the Lament Configuration box. But I went for Lakeshore Records standard release, which featured the original theatrical one-sheet poster as the cover art. The LP itself came in blood red, and is now one of the prized additions to my collection! When it comes to the horror classics, you can't go wrong with the original score for HELLRAISER!

JOHN CARPENTER: ANTHOLOGY (Sacred Bones)

Who would've thought that at age 69, going on 70, the "Master of Horror" John Carpenter would find massive success as a rock star?! After a successful tour promoting his two original albums LOST THEMES and LOST THEMES II, and a handful of re-recorded classics released last year as EP's, Sacred Bones and Carpenter (including his bandmates Cody Carpenter and Daniel Davies) tripled down and delivered ANTHOLOGY this year. As the title implies, this is a collection of all of his indelible themes from his entire filmography. For those (such as myself) that went for the "deluxe" edition, we were treated to a bonus 7 inch featuring the VILLAGE OF THE DAMNED and BODY BAGS themes, as well as a series of collectible cards, each one with a single drawing to represent each movie. You can get this digitally still, and the standard LP is also available.

ALIEN: Complete Motion Picture Soundtrack, Deluxe Edition (Mondo)

I already have the original issue of Jerry Goldsmith's landmark score to Ridley Scott's ALIEN. So, it took a few moments of internal struggle before I pulled the trigger on this new expanded Mondo release, also being offered in a "deluxe" package. Pre-orders went up way back in May (I think), and so when this showed up at my apartment in early December, I had almost completely forgotten about it. Then I pulled this bad boy out. And to think... I hesitated. This features all of Goldsmith's music for the film across two LP's, the original soundtrack release remastered, and a 4th LP of un-used cues, demos, and other treasures. The packaging itself is in a sturdy box, and the art for each LP chronicles the evolution of the ALIEN during the course of the first film. If ALIEN ranks up there as one of your favorite genre films of all time, this is a must own.

THE DEVIL’S CANDY (Mondo)

How 'bout music for some new films? One movie I caught earlier this year on the big screen was Sean Bryne's latest THE DEVIL'S CANDY. I've been eagerly anticipating the follow up to THE LOVED ONES since I saw that movie, and this did not disappoint! Between the unique story, the family dynamic on screen, Ethan Embry's performance, and the dreary metal-esque score by Michael Yezerski, this is one of my favorite horror movies of 2017. So, I was thrilled when Mondo/Death Waltz added it to their robust queue for the year. This one is still available on vinyl, and you can sample it digitally via the Bandcamp page.

THE BLACKCOAT’S DAUGHTER (Mondo)

I first saw the debut feature from Oz Perkins, then titled FEBRUARY, at Beyond Fest a few years back, and the experience was so mesmerizing that I was anxious to revisit it, in particular because of the music that his brother Elvis Perkins composed for the film. Thankfully, the movie finally got a release earlier this year, and once again, Mondo/Death Waltz delivered the score to coincide with the release. Although the first pressing of the LP sold out, it looks like they're prepping for another pressing of it. You can also find this one digitally on their Bandcamp. I bought both because this is a wonderfully weird and moody soundtrack, complete with everything from ambient score to mini-folk tunes. It's really great and you should check it out ASAP.

RING OF DARKNESS (Four Flies)

I had never heard of RING OF DARKNESS aka Un'ombra nell'ombra, until I attended an LA Rendezvous! event with my TWO DUDES TALKING co-host Tony Giles, where they screened a VHS of the movie, and were celebrating the release of this accompanying soundtrack LP from Four Flies. Within the first 2 minutes of the movie, I knew I had to own this score. It's that great. And as the movie progressed, I was pleasantly surprised to recognize a lot of the music from the 1982 Juan Piquer Simon masterpiece PIECES. Highly recommended and you can still find the record at the Two Headed Dog store!

OPERA, music by Claudio Simonetti (Rust Blade)

Here's another release that caught me off guard. I was already sold on Rust Blade's release of Claudio Simonetti's music for Dario Argento's OPERA. The LP arrived, I put it on, and was grooving along. When I flipped it over to side B, I was treated to new remixed versions of Simonetti's score! And they were spectacular! In fact, the one embedded below is one of my personal fave remixes this year. Pick this up if you can!!!



EVIL DEAD 2 (Waxwork Records)

This is a no brainer. For years, I've often cited EVIL DEAD 2 as not only my favorite horror movie, but my favorite movie of all time. That's shifted slightly. I go back and forth now between this and Hitchcock's PSYCHO, but I will always hold a special place in my heart for the EVIL DEAD 2 score. Hence, I was thrilled to see it get the Waxwork Records treatment, complete with new artwork fully decided on by fans that voted online. Looks great, sounds great, and it's Joseph LoDuca doing EVIL DEAD! Must own.



PREDATOR (Real Gone Music)

Real Gone Music has also upped their game this year and one of my most coveted scores long overdue for a vinyl release was PREDATOR by Alan Silvestri! This gatefold beauty, which came in green and brown "campo" coloring, or even rarer "infrared" sold out pretty quickly. Here's hoping the demand will call for another pressing, and maybe PREDATOR 2!

FRIDAY THE 13TH: THE FINAL CHAPTER (Waxwork Records)

Whereas Mondo gave us all the NIGHTMARE scores all in one shot, I've rather enjoyed Waxwork Records approach to the FRIDAY THE 13TH soundtrack releases; we've been getting them once a year, chronologically, and they normally go on sale on a Friday the 13th. Naturally, the funny thing about the FRIDAY series, at least for the first 6 or so, is that they basically use the same Harry Manfredini music over and over again, but the revealing liner notes by director Joseph Zito explain how the score for THE FINAL CHAPTER came to be. And although, yeah, most of it is familiar, there's a slightly darker tone to it than from previous films, which 100 percent fits PART 4, which I always found to be the kick-ass, no holds barred, angry as hell Jason Voorhees movie. And I mean, that packaging? Something every FRIDAY THE 13TH fan can get behind!

Mario Bava’s BLACK SABBATH (Dago Red)

Dagored does some incredible releases of rare or overlooked underrated soundtrack scores. This was a random find during one of my Amoeba visits in Hollywood where I was completely unaware that the music for Bava's BLACK SABBATH had come out again. Cool plastic insert, great moody music, and the complete spirit & tone of one of the best horror anthologies ever made.

ESCAPE FROM LA (Real Gone Music)

It's been a hell of a year for John Carpenter, and it continues to be! We've gotten ANTHOLOGY, re-issues of his CHRISTINE score, along with a new music video for the CHRISTINE theme, directed by the man himself. And we even got a 2 LP vinyl release of his collaboration with the late, great Shirley Walker on ESCAPE FROM LA. After all these years, I think my favorite piece of original Carpenter music has to be the theme to ESCAPE FROM NEW YORK, and so it was fun to revisit this completely rocked out version of those themes. And it comes in "Limited Test Tube Clear with Plutoxin Virus Green Splatter Vinyl?" Sign me up!

BRAIN DAMAGE (Terror Vision)

Oh, bless the find fiends at Terror Vision for putting out Gus Russo & Clutch Reiser's score for arguably Frank Henenlotter's best film BRAIN DAMAGE. The filmography of Henenlotter is like no other, and the same can be said with the accompanying music for all his films. This one's still available, and you can buy the LP, or stream the music digitally direct from the Bandcamp page. Do it. Make Aylmer proud!

CREEPSHOW 2 (Waxwork Records)

I'm going to keep these next few picks short, because they're all Waxwork releases, and what more can I add? They all speak for themselves. One of their earliest, most successful release was for the original CREEPSHOW, and so it seemed inevitable that they'd eventually release the music to CREEPSHOW 2 by Les Reed and Rick Wakeman. Musically, it's not as strong as John Harrison's CREEPSHOW score, but it's still pretty darned good, and quite frankly, the comic book-esque packaging will win me over every time.

THE EXORCIST (Waxwork Records)

Another one that I already owned the original issue of, but had to get is THE EXORCIST. Look - it's one of the most famous horror movies of all time. Every one should own this music. But the new art is terrific, and most importantly the remastered version sounds better than ever. I love that director William Friedkin took a prog rock song like "Tubular Bells" and made it into something that's instantly scary sounding.

THE BABADOOK (Waxwork Records)

I'm squeezing this one in because it's been in the works for a long, long time, and it literally just hit my inbox. Much like the elaborate packaging for THE BATES MOTEL score, this one opens up with a pop up of the Babadook. It's almost as unsettling as the music itself! Thankfully, the shrieks of the film's kid are nowhere to be found here.

I also have to mention the HOUSE OF WAXWORK comic book. This year, we saw the release of Issue #1, and while I had always thought the concept behind a comic book with accompanying score was cool, I was not prepared for how much I actually enjoyed the experience of reading the book while spinning the tunes. Side A is the HOUSE OF WAXWORK theme (co-composed by Douglas Pipes) and then the music for "Occult Slumber Party." Side B is the music for "The Lighthouse Keeper." The themes run just about the length it would take you to read each story, and so they succeeded in providing a whole unique TALES FROM THE CRYPT/CREEPSHOW-esque interactive experience. I also dig the David Lynch-looking Die-Rector! I'm sure these suckers take a lot to produce, but count me in for future issues!

Notable mentions: All the TWIN PEAKS releases.

R.I.P. 3D TV! We Hardly Knew You! (Plus, The Worst 3D Triple-Feature Of All Time)

Rest In Peace to my 3D TV.

"How could you just leave me standing alone in a world that's so cold?"

That Prince reference aside, I hope you don't mind if I deviate from the usual music-related blog to lament the shocking and sudden death of one of my all time favorite home video formats. The mighty 3D!

I've been an advocate for home 3D now for about 4-5 years. Basically, I've lived in Los Angeles for 8, going on 9 years, and it hasn't always been easy in that time period. About 4 years into my tenure, after many ups and downs, I was finally comfortable with my job, earning a more than reasonable salary, and living with the ideal roommate. Together with my new found riches, and a living mate with similar sensibilities as me, I was able to build up our home entertainment system into something special. After all, movies are a huge part of my life. My physical collection is something I still savor, mainly because it evokes the feeling I had scanning the shelves of an old video store. Regardless of budget or quality, you were surrounded by "art." And being surrounded by art on a regular basis can be tremendously inspiring when it comes to making your art.

See? Doesn't that make ya want to create some shit?

When I finally upgraded to a high def TV and fully embraced this whole Blu-Ray fad, I decided, screw it. If I'm getting an HD TV, I might as well fork over a few extra bucks and get a 3D TV! I'd never even tested the format in the electronic store, but I figured it couldn't hurt already having it included in my set up. And so, I went for a 60 inch Sony Bravia. We brought that sucker home, and we first tested it out with my Blu-Ray of TRAINSPOTTING. It looked spectacular! Immediately, the foot coming into frame to the pounding drums of Iggy Pop's "Lust For Life," and it felt like we were watching it in a theater. (It helped that my roommate and I wisely chose to position the TV only several feet in front of our main couch, making it appear far more theatrical than being all the way across the damned room.)



After that, I popped in JURASSIC PARK 3D, a conversion, mind you. We skipped right to the T-Rex scene, and wow... we were beyond blown away.

It's actually rather simple. Home 3D looks far superior to anything you'd get in a theater. Fact. In theaters, in order for 3D to work properly, it requires a much brighter (and expensive) bulb to project accurately. It's meant to compensate for the darkness of the glasses. If calibrated correctly, the illusion of 3D should be amazing. But often times, theaters cheap out. They don't bother upgrading their bulbs, they use whatever ones they already have, and hence, the screen will look much darker than it should. When it comes to home 3D, there are no bulbs involved. Pending that you have your TV calibrated correctly (and for the love of Crom, have turned off "Motion Blur," or any feature with the word "motion" in it), it should look better than ever.

And so almost immediately, starting with JURASSIC PARK and then followed by titles like PACIFIC RIM, MY BLOODY VALENTINE, HOUSE OF WAX, and just about any of the MARVEL movies, I became a 3D junkie. I refused to see things in the theater in 3D, because it would look better when I finally got it home! There are at least 3 friends I can count that have gone out and bought 3D TV's after I showed them my presentation. There can be no bigger cheerleader for the home 3D set-up than me!

But alas, it wasn't meant to last.

Let me back up. The new current technological rage at the moment is 4K, which I believe to be a myth. I mean, people can't even be bothered to turn off the goddamned "motion" settings on their TV, they don't deserve good looking movies, let alone 3D! Or crystal clear 4K! You're not going to get much better, quality wise, than what Blu-Ray has to offer on a high def TV. Sure, the newer superhero movies which were created on a computer screen will look vibrant and lifelike, but can you really take an older movie and make it look much better than what a high def TV already does?

Regardless, I always assumed that 3D would be an option on 4K TV's, because that's what's usually advertised. But then, the unthinkable happened. My beautiful Sony Bravia... crapped out on me. I came home from work one day, and my roomie asked, "Hey man. Was that line across the bottom of the screen the last time you watched?" The following day, a second line appeared. Followed by 4, then 5 more!

How can this be?! Let me check my warranty. Dammit! I bought it for up to 2 years. I've now had this TV for 4. But wait, 4 years? That's not a fair lifespan for a television, is it? There's a 20 year old tube TV that weighs a literal ton still sitting in my bedroom and that thing is still going strong! How is this possible?! Freakin' Sony!

This discovery happened on a Friday, and so I had to wait out a whole weekend before I could call a few recommended repairmen about fixing this blasted thing. And I intended to fix it! I own something like 150 3D Blu-Ray titles, only a forth of which I've watched, because I usually save them for movie nights, so I'll be damned if I give up 3D just yet!!!

By Monday morning, my TV had gone from 5 lines across the bottom to half the screen going completely black.

This was dire! I spoke to 3 different repairmen, texted over photos, and all 3 confirmed the same thing, it was unrepairable. Something about it being the panel, and at this point, replacing the panel would cost the same as getting a new TV, if you could even find the part because they don't make that model of Sony Bravia anymore.

Fine. I accepted this. I had literally gotten paid a nice chunk for a freelance gig that I intended to use to wipe out my remaining debt and put into savings, but I guess that wasn't meant to be either!

I headed to Fry's. And then Target. And then Best Buy. And to my horror, the same thing kept happening at every electronics location I went to. They did not have 3D TV's!!! It seems they stopped offering the 3D option with 2016 TV's, and everything in store and on the shelf was 2017, this years models. I begged, I pleaded, I searched online, and called stores. But no one had anything from 2016, let alone anything that was 3D capable.

I did a google search, found a pretty good model at a ridiculous price that was too good to be true. And that's because it was. 2 days after ordering it, I got a call from the company saying they didn't have it in stock. If I was going to find a 3D TV, it would have to be in person! And so I continued my quest, all in between starting a brand new job, and with the kick off of the Halloween season. No luck. I almost drove to a Fry's in Arizona where my family is because they had one 3D TV in stock, but then one of those repairmen I reached out to called. He said he checked with one of his vendors and he had ONE 4K 3D TV in stock. A 2016 LG 65UF9500. It was 65 inches, and yes, 3D ready. Passive 3D, by the way, not active, which means you need battery operated glasses. (Screw that!) I took it immediately. Because, this very well could be the last 3D TV in all of Los Angeles.

I drove to one of the shadiest parts of Los Angeles, paid just a tiny bit more than I really wanted to for this thing, then realized I couldn't fit it into my tiny Nissan Versa Note. We very carefully took the thing out of the box, and strategically placed in in the back of my car with both back seats down. I drove very slowly home that day. The roomie helped me bring it up. We plugged it in. Fired it up. And bliss. We had another fully operational 3D TV back in the apartment. My old one, sadly, went next to the dumpsters like a relic from a forgotten time, which was only a mere 4 years ago.

Now that I'm back on track, I will never take the third dimension for granted again!!!

This TV has a 2 year warranty on it. Although... realistically I don't know how they could replace it if anything ever did happen. But even if it lasted as long as my previous TV did (and quite frankly, it should last much longer), then I've got a good solid 4 more years to enjoy and host 3D movie nights. And I assure you I haven't slacked at all!

In the last week alone, I've enjoyed WONDER WOMEN in 3D, along with SPIDER-MAN: HOMECOMING and GUARDIANS OF THE GALAXY VOL. 2.

I should have known with GUARDIANS that the end was near. It actually did not come out as a 3D Blu-Ray here in America, unless you bought a limited edition steelbook version from Best Buy that happened to include the 3D version as a bonus. I ordered it from the UK, along with THE MUMMY 3D, and TERMINATOR 2 3D. Most UK releases are all-region, not to mention much cheaper than US prices! But since the TV's have stopped being produced here, it seems the discs themselves have also been faded out. I mean, a major Marvel movie that was released theatrically in 3D didn't get a home 3D release? It truly is the end, my friends.

But for now, I can enjoy a few more years with home 3D. And tonight will truly be the test.

I have a fun little group of friends I watch movies with called the "Bad Movie Brigade." What brought us together was our desire to see METALSTORM in 3D. Ever since, we're regularly made it a point to pair up unlikely movies and watch them together. When I revealed to the gang that I was back on track with a 3D set-up, I sent a list of my 3D library and asked for them to request double features. My friend (and fellow madman) Stephen Scarlata came back with this double feature suggestion... Dario Argento's DRACULA 3D with I, FRANKENSTEIN.

I figured let's push it one step further. I just got THE (Tom Cruise) MUMMY in 3D imported from the UK. Let's make it a triple feature, and it'll be 3 of the worst reinterpretations of the Universal Monsters ever! Dario Argento's DRACULA 3D, I, FRANKENSTEIN 3D, and THE MUMMY 3D! I guarantee we're the only humans on the planet to do this triple feature, and to enjoy it in all 3 dimensions as was intended!

While the rest of the world may mourn the passing of the 3D format, we shall rage with this party for just a little bit longer.

Who else is going to watch all these 3D movies otherwise?!